Finding Your Character in Your Five Favorite Movies: Apollo 13

Successful Failure: Knowing What is Most Important Now
Today’s post is number four of my series on Movies That Teach – Finding Your Character in Your Five Favorite Movies.  I have covered three movies to date: Groundhog Day, Elizabeth, and The Razor’s Edge.  Today, I write about Apollo 13, which at times I have dubbed as the “greatest training film ever made”.

I have used many scenes from Apollo 13 in various training programs over the years. It lends powerful lessons as far-reaching as leadership, vision and character, to communication, innovation and effective meetings.  (As a reminder, if you show movies or movie clips in a public context, first purchase an umbrella license from the Motion Picture Licensing Corporation.)  

You don’t say how slim they are but rather how you can improve the odds.” 

http://rcm.amazon.com/e/cm?t=msturgell&o=1&p=8&l=bpl&asins=0783225733&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrThese are the words of Gene Kranz, NASA’s legendary flight director made famous by actor Ed Harris in “Apollo 13”, the 1995 movie depicting the ill-fated 1970 space flight of the same name. He was referring to his incredibly positive “we’re bringing them home” attitude during the entire life-and-death ordeal. Kranz was being interviewed on April 12, 2010, when he joined other surviving Apollo 13 astronauts and flight directors to commemorate the 40th anniversary of the space mission.

The dramatic Apollo 13 mission took a dramatic turn for everyone, of course, with the now famous unsettling words of flight commander James Lovell when he realized his mission had suddenly changed from landing on the moon to getting home alive:

OK Houston, we’ve had a problem here.

Of course, today Lovell’s famous phrase is popularly recited as “Houston, we have a problem,” slightly different than Lovell actually spoke on April 13, 1970.  This is just one way in which Apollo 13 has taken on legendary qualities and become a symbol of American “against all odds” heroism.

When you see the world in a new way, suddenly possibilities for action exist that were inconceivable a moment earlier.
With so many great characters and lessons to illustrate from a single movie, it is difficult to choose favorites. One of my favorite “scenes” is actually a combination of two scenes: First, when Tom Hanks, playing commander Lovell, is with his son soon after Lovell learns he would be mission commander of the historical flight.  Second, when Lovell is on a crippled ship thousands of miles into space realizing his mission has changed.  Each man depicts a man on a mission – a mission that would change dramatically between the two scenes.

The first scene takes place in the Lovell’s back yard; father and son are talking when Lovell holds his thumb up into his line of sight and completely blanks out his view of the moon.  This brief scene depicts the clear sense of purpose that Lovell now has – to walk on the moon.

The second part of my two-part favorite is when the Apollo team, both in space and on the ground, are devising solutions to abort the original mission and return 13 and its crew safely back to earth.  This is the stuff of which Kranz spoke when he said the ground crew was not focused on how unlikely the odds were for survival of the flight crew. They were focused on improving the odds.

In this second scene, Tom Hanks has just visualized himself making his moon; then he once again holds his thumb into his line of sight, this time blocking any view of the Earth – his home and family. His mission and purpose changes absolutely with this small gesture.

“Gentlemen, what are your intentions? I’d like to go home,” he says, and in that instant establishes a new mission for his team.  His purpose has changed in a moment’s thought, yet he and his crew will pursue this new purpose with the same resolve, focus and dedication as the first.  Ten words in a matter of seconds, yet a truly great moment of leadership… And what a wonderful illustration of The Intersection of Purpose and Now.  I have delivered entire workshops on leadership, vision and strategy using this single scene as a launching pad (pun intended).

Readers of this blog may be familiar with my views on “work-life balance”, a concept that I dismiss as misguided. Recognizing the stresses and conflict behind the desire for “balance”, I encourage people to replace it with a clear sense of focus on “what is most important to me now.”  What is most important to me now can change in any moment. Values and priorities may not change, but they may shift from day to day and yes, new purpose can evolve even from moment to moment.

“I am doing exactly what I want to be doing with my life right now.” These are words I utter often when speaking to a new group of people. They are not words I use lightly.  The most important goal of the Apollo 13 mission team on April 12, 1970, was to land on the moon. In one brief moment on April 13, 1970, that mission changed dramatically.  “What is important now” changed. Same people – different mission.

Ultimately, our most important values always rise to the top.


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Finding Your Character in Your Five Favorite Movies: The Razor’s Edge

Arise, awake, and learn by approaching the exalted ones, for that path is sharp as a razor’s edge, impassable, and hard to go by, say the wise.” Katha Upanishad 

What might you learn about your own character by identifying with your favorite characters from the movies? If you are a reader of the Great Books, you have likely discovered pathways to character there as well. The Great Books certainly had an impact on my enlightenment and on the movie character I discuss today.

I must admit some irony in the fact that two of the five character-building movies I am writing about this week have comedian Bill Murray in the starring role. Perhaps it’s not ironic at all, at least if I admit that this fact alone may say as much about my character as anything else about these movies!
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1984’s The Razor’s Edge has had a profound and lasting effect on me like few other movies. In fact, I can say it has had an effect that very few other movies, books, people or experiences can match. This prolonged effect is so deep, I often find it difficult to put in words; but that’s why movies are so powerful. Of the five movies I am writing about, and the many more that I could have included in this series (Secondhand Lions, Simon Birch, August Rush, Ratatouille…don’t get me started), The Razor’s Edge is special, defining, liberating and divine among my movie experiences.

“He had everything and wanted nothing. He learned that he had nothing and wanted everything. He saved the world and then it shattered. The path to enlightenment is as sharp and narrow as a razor’s edge.”

It is the gestalt of this story and the protagonist Larry Darrel (Murray’s character), rather than any one scene or aspect of the movie, that affects me so. However, there is one scene I will focus on today.

First, the setup. 

If there was ever a man in search for meaning, it is Larry Darrell, a great personification of what I call the “crisis of character” in the original 1944 novel by W. Somerset Maugham, and a very good personification in this movie.  Darrel is an adult modern Siddhartha, the title character in Hermann Hesse’s great book. [The word Siddhartha is derived from two Sanskrit words, siddha (achieved) + artha (meaning or wealth). The two words together mean “he who has found meaning (of existence)” or “he who has attained his goals”.]

Larry sees it a matter of duty as much as adventure to volunteer for the Red Cross during World War I. But when his partner is killed in the fog of war, the war-weary Darrell sets out on an isolated quest to learn, to understand, to be enlightened through the human experience.  He gives up romance, career, and what seems like a certain path to good fortune and societal esteem for the sharp, often dirty, lonely and always narrow path to salvation.  He reads the Great Books and meets the Great People, who he discovers in the most humbling of circumstances much as I believe we do in life.

The Scene – The Awakening
One of my favorite movie scenes (watch below) is the turning point in Larry Darrell’s life journey when he is alone in the bitter cold night atop a Tibetan mountain (India in the book), reading and meditating in his search for enlightenment. His fire goes out and he grows cold. Realizing his book now has more value as physical fuel than it does as spiritual nourishment, he begins to tear it apart to stoke his life-preserving fire. The next scene shows him looking toward the horizon at “the top of the world.”


“The man I am writing about is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. But it may be that the way of life that he has chosen for himself and the peculiar strength and sweetness of his character may have an ever-growing influence over his fellow men so that, long after his death perhaps, it may be realized that there lived in this age a very remarkable creature.” – W. Somerset Maugham, introduction to The Razor’s Edge (1944) and inspiration for The Intersection of Purpose

Tomorrow, I continue my list of five movies with Mr. Holland’s Opus.

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Finding Your Character in Your Five Favorite Movies: Elizabeth

How do you evaluate the motives of those who would give you their counsel?

A story of a person developing discernment, potential, transformation, keen purpose, and, of course, an existential crisis of character – these are all reasons I love the movie Elizabeth, one of my favorite stories of leadership and leadership development. 

Sickly Queen Mary of England could not bring herself to execute her imprisoned half-sister Elizabeth, http://rcm.amazon.com/e/cm?t=msturgell&o=1&p=8&l=bpl&asins=B000RF7XYO&fc1=000000&IS2=1&lt1=_blank&m=amazon&lc1=0000FF&bc1=000000&bg1=FFFFFF&f=ifrwho ascends to the throne upon Mary’s death due to the queen’s lack of an heir. (Why had she been imprisoned with a death penalty by her sister? Elizabeth was a Protestant; Mary was Catholic.) Thus begins the reign of Queen Elizabeth, who begins her long years on the throne with plenty of decisions to make and plenty of advisors to help – if, in fact, she can trust their advice at all.

I love Elizabeth for great acting, its political intrigue, and as a terrific portraiture with many lessons on leadership. It makes my list of Movies That Teach for those leadership lessons you will find in Cate Blanchett’s characterization of the “Virgin Queen” who ushers in England’s “Golden Age“.

In 1558, England is divided by faith, Catholic vs. Protestant. Elizabeth’s first few years are shaky on religious terms, she is hardly politically astute and she “rules from the heart instead of the mind”.  England is weak and also on shaky ground facing many barely covert enemies.  Elizabeth must strengthen the position of her kingdom and face her own threats, including many who seek to execute her as a “heretic”.  

To ensure her security on the throne, Elizabeth has to establish leadership, which includes, according to some of her many advisors, establishment of a single Protestant Church of England, marriage to a suitable husband and the production of an heir. However, she remains unmarried since her only suitor is not worthy of marrying a queen; thus, she can bear no heir, which would mean the throne could fall back into Catholic hands should she meet with her own tragedy.

Elizabeth, the movie, is a story of the early years of the great queen’s reign when she was learning to be great. She must face threats both foreign, including Pope Pius V, and domestic, especially within her own court. The movie dramatizes her transformation into the most powerful, and sometimes ruthless, woman in the world.

I love a story of potential. I love a story of transformation from a person trying to survive into a leader with a crystal-clear sense of purpose, a deep sense of value and service to a Great Cause.


Notice a pattern developing here with this “crisis of character”, which you might say is a matter of destiny for those of us who seek to live at The Intersection of Purpose and now.  Next up in my “Finding Your Character in Your Five Favorite Movies” series: The Razor’s Edge.

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